Jeffrey Shandler

The Holocaust holds a unique place in American public culture, and, as Jeffrey Shandler argues in While America Watches, it is television, more than any other medium, that has brought the Holocaust into our homes, our hearts, and our minds.

Much has been written about Holocaust film and literature, and yet the medium that brings the subject to most people--television--has been largely neglected. Now Shandler provides the first account of how television has familiarized the American people with the Holocaust. He starts with wartime newsreels of liberated concentration camps, showing how they set the moral tone for viewing scenes of genocide, and then moves to television to explain how the Holocaust and the Holocaust survivor have gained stature as moral symbols in American culture. From early teleplays to coverage of the Eichmann trial and the Holocaust miniseries, as well as documentaries, popular series such as All in the Family and Star Trek, and news reports of recent interethnic violence in Bosnia, Shandler offers an enlightening tour of television history.

Shandler also examines the many controversies that televised presentations of the Holocaust have sparked, demonstrating how their impact extends well beyond the broadcasts themselves. While America Watches is sure to continue this discussion--and possibly the controversies--among many readers.

Adventures in Yiddishland examines the transformation of Yiddish in the six decades since the Holocaust, tracing its shift from the language of daily life for millions of Jews to what the author terms a postvernacular language of diverse and expanding symbolic value. With a thorough command of modern Yiddish culture as well as its centuries-old history, Jeffrey Shandler investigates the remarkable diversity of contemporary encounters with the language. His study traverses the broad spectrum of people who engage with Yiddish—from Hasidim to avant-garde performers, Jews as well as non-Jews, fluent speakers as well as those who know little or no Yiddish—in communities across the Americas, in Europe, Israel, and other outposts of "Yiddishland."

This is a unique work. It is one of the first books written for young readers describing the early days of the event that has since come to be known as the Holocaust. Originally written in Yiddish in 1938, it is one of the most accomplished works of children's literature in this language. It is also the only book for young readers by Glatshteyn, a major American Yiddish poet, novelist, and essayist.

Written in the form of a suspense novel, Emil and Karl draws readers into the dilemmas faced by two young boys--one Jewish, the other not--when they suddenly find themselves without families or homes in Vienna on the eve of World War II. Because the book was written before World War II, and before the full revelations of the Third Reich's persecution of Jews and other civilians, it offers a fascinating look at life during this period and the moral challenges people faced under Nazism. It is also a taut, gripping, page-turner of the first order.

Click image to purchaseEngaging media has been an ongoing issue for American Jews, as it has been for other religious communities in the United States, for several generations. Shandler’s examples range from early recordings of cantorial music to Hasidic outreach on the Internet. In between he explores mid-twentieth-century ecumenical radio and television broadcasting, video documentation of life cycle rituals, museum displays and tourist practices as means for engaging the Holocaust as a moral touchstone, and the role of mass-produced material culture in Jews’ responses to the American celebration of Christmas.

Shandler argues that the impact of these and other media on American Judaism is varied and extensive: they have challenged the role of clergy and transformed the nature of ritual; facilitated innovations in religious practice and scholarship, as well as efforts to maintain traditional observance and teachings; created venues for outreach, both to enhance relationships with non-Jewish neighbors and to promote greater religiosity among Jews; even redefined the notion of what might constitute a Jewish religious community or spiritual experience. As Jews, God, and Videotape demonstrates, American Jews’ experiences are emblematic of how religious communities’ engagements with new media have become central to defining religiosity in the modern age.